It takes Greg Trooper less than ten seconds to stop you in your tracks. Accompanied by organ, upright bass and his own guitar, Trooper has only to sing his first note to grab your attention. His voice is so open, magnetic and soulfully heartfelt, that you can’t help but listen closely. It’s one thing to craft material that draws the fandom of other gifted songwriters, but delivering it with the vocal artistry it merits is often beyond even the most talented writer. But Trooper is a superbly talented singer and storyteller, and his live performances, even in recorded form, are as intimate and honest as personal conversations. As excellent as was 2013’s Incident on Willow Street, Trooper exposes even more emotional surfaces when performing his songs in front of a live audience.
The disc’s opener “This I’d Do” endears Trooper to the audience with its extraordinary promises, and he proves himself a a man of his word with a set that’s thoughtful, stalwart and giving. He finds pathos in an alcoholic’s lament, hangs onto slim threads of hope and trudges along in heartbreak’s shadow. But as he essays in “Everything’s a Miracle,” perception is influenced by perspective, and perspective is often a choice. The search of “One Honest Man” looks forward as it creates distance from a troubled past, and “All the Way to Amsterdam” dreams of escape rather than dwelling on current circumstances. The latter rests perfectly on Chip Dolan’s keyboards and the emotional hitches in Trooper’s voice, articulating the song’s protagonist in both words and tone. The album closes with the hopeful “We’ve Still Got Time,” concluding a breathtakingly fine performance. [©2015 Hyperbolium]