On the most arresting track of Hazeldine’s fourth album, Shawn Barton daydreams about watching people react to her face on a billboard on Los Angeles’ fabled Sunset Strip: “People passing by will look at her and wonder who she is/People […]
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Hazeldine’s covers reveal wide-ranging taste unfettered by tiresome concern with hipness. It’s as if they heard others’ songs differently in the first place. For example, How Bees Fly, the group’s 1997 release on German label Glitterhouse, included Grant Lee Buffalo’s […]
You don’t usually encounter such wonder from bands so young, bands just putting out their first single. More often than not, the 7-inch is a hint of greater things to come, or merely a sidelighting curiosity. But the two sides […]
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