Bill C. Malone opens his 2010 book Country Music, U.S.A., stating that country music “defies precise definition, and no term (not even ‘country’) has ever successfully encapsulated its essence” (Malone 2010, 1). In the past century, the ‘country music’ genre has […]
Country music in America has long marketed towards and embodied an eclectic blend of common folk: typically, southern, lower-class, God-fearing, hard-working, blue-collar white men, found in Appalachian homes and hollers scattered well beneath the Mason-Dixon line. From the earliest decades […]
