Grace Potter and Brett Dennen at the House of Blues Boston, Nov. 19

This is a review I posted on my blog Modern Acoustic:

Many times in the past two years I have thought — even planned — to see Grace Potter in concert. Each time there was a reason it didn’t happen. But last Thursday, it finally did, at the House of Blues and it was everything I expected. The word was that if you hadn’t heard Grace live, you really hadn’t heard her, and this is true. The albums do not do her justice. There is an electricity to her, and it runs right through her body from her fluttering fingertips, to her hair-waving head, right down to her high-heeled shoed feet. Whether she’s fronting the band playing slide on her flying V or from her perch at her Hammond organ, Grace Potter is in full throttle. I always like to ask myself, “what does this band want to be”? For Grace and the Nocturnals, I think they’d like to be the female Allman Brothers. And they’ve got a pretty great start. They’ve added a second guitarist, Benny Yurco, and have a new female bass player, Catherine Popper, a strong voice to the mix which includes longtime Nocturnals lead guitarist Scott Tournet and drummer Matt Burr. They look like they are having a blast up there, smiling away while blasting through “Ah, Mary,” showing off their new dueling lead guitars on one of their new songs, and meeting together on the center stage floor for a kneeling group guitar jam during “Stop the Bus.” They have always fit comfortably amid the jam band scene, but they are able stand out a bit from the pack, because of Grace. Not only is she a woman (and a great-looking woman!) amid the sea of guys, but her songwriting is also stronger than most in the jammy genre. She debuted six new songs, including one called “Tiny Light,” which starts slowly and builds to a rocking crescendo filled with guitar feedback. She wound up nearly two hours onstage with an encore of the Jefferson Airplane’s “White Rabbit,” which fit her band perfectly. She closed the show with her a cappella-to-full blown rocker “Nothing But the Water.”
A couple of other notes: I wasn’t sure what the crowd would be like for the show. I was initially worried that the place would seem empty. But I was pleasantly surprised. I estimate the crowd at a couple thousand, filling about three-quarters of the place. Brett Dennen was a pleasant surprise and weird sort of cat. And he’s got quite a fan base. When he was onstage, the front of the house was packed. It seemed to be less crowded when Grace came on… like all Brett’s fans either left or moved back to the bars. That was fine. It left more room for Grace’s fans — which included a large majority of college girls (unusual for a jam band) — to dance.
One more note about Brett Dennen. He’s an odd mix of performer, not really sure where to place him. He’s got a unique-sounding voice, a huge mop of hair, and has the stage presence — dancing and moving his hips that puts him somewhere between Neil Diamond and David Bowie.
All in all, a really fun show.

The setlist (from the blog This Is Somewhere)
Medicine
Joey
Mastermind
Apologies
Oasis
Stop the Bus (not on setlist, played after mention of bus fire incident)
Goodbye Kiss
Ah, Mary
Big White Gate
Things I Never Needed
Low Road
Only Love
If I Was From Paris
Tiny Light
Sweet Hands
——————-
Watching You
White Rabbit
Nothing But The Water I
Nothing But The Water II

Come read more for me at my blog and in my free online music magazine, also called Modern Acoustic