Dream Dictionary is consistent with Jim’s creative trajectory since American Hips (2003). Operating largely in a trio format (Dictionary features Josh Dion on drums and Chris Morrissey on bass), Campy picks, bends, and squawks his way through twelve tunes that demonstrate his uncanny ability to infuse the well-trodden soundscapes of Americana with a beautifully eclectic and instantly recognizable electric imprint. Fans of the guitarist’s output over the past decade should find themselves in familiar territory as Campilongo navigates through reverb-laden slow burners (“The Past is Looking Brighter and Brighter”), loping snap-and-pop blues excursions (“Nang Nang”), and the requisite guest appearance by Norah Jones (“Here I Am”), a frequent collaborator vis-à-vis the Little Willies.
While Dream Dictionary isn’t a radical departure, there is evidence of an evolution in Jim’s sound that was starting to become readily apparent on his last album, Orange (2010). Jim’s early recordings with the 10 Gallon Cats were rooted in country and western swing; subsequent trio recordings relaxed the breakneck tempos and explored moodier, jazzier territory. Jim certainly hasn’t abandoned those influences in recent years, but his affinity for the more eccentric capabilities of the electric guitar – feedback, overdrive, pinch harmonics, and microtonal bends – has increasingly taken center stage since Orange. Most guitarists employ these techniques for novelty effect; Campilongo, by stark contrast, has made them central to his musical vocabulary.
In a recent interview, Campy noted that he had been listening to a lot of 70s-era Miles Davis while writing the material for Dream Dictionary, manifested in the slow, sinister funk of the album’s opener (“Cock and Bull Story”) and the meditative title track. However, to a greater degree than any previous Campilongo album, this one seems to channel a more fundamental influence – the late Roy Buchanan. Roy’s imprint on Jim has always been evident, but Dictionary takes the listener in darker and more intensely contemplative directions than ever before, forging a soulful connection to the music that recalls the best of Buchanan’s early recordings (before the tragic picker’s inner demons took a toll on the consistency of his output). Reassuringly, Dream Dictionary closes with the upbeat and playful “Pie Party,” a galloping country romp that reminds us of Jim Campilongo’s lighter side and his consistent ability to connect with audiences on multiple levels — both musical and emotional.
This review was originally posted on New.Old.Stock. – A guitar music blog.
