Ben Sollee Chills with Cello

Kentucky-born composer Ben Sollee has risen to the ranks of today’s most versatile cellists, an accomplishment that’s not only attributed to his proficiency on the instrument but also his reputation as the go-to guy when it comes to anything having to do with that particular set of strings. The six albums he’s produced to date have aptly reflected that impressive dexterity while also illustrating the way he’s able to adapt the instrument to pop formats, far removed from its usual classical confines.

Infowars is no exception. It features his collaboration with percussionist Jordan Ellis, his touring partner for the past few years and a like-minded musician who seeks to stretch the parameters and veer into more adventurous environs. The album captures the two musicians in a variety of seemingly spontaneous settings, a vibe that’s underscored by the various bits of dialogue that frequently intersect these songs.

Some of the tracks are skittish — “Cajun Navy” sounds like it could be played at the circus on a calliope, while the spirited meanderings of the title track boast a middle section that might be best suited for an old horror movie score.

For the most part however, these tracks keep a solid beat with cello equally imposing. There are some lovely moments, to be sure (“Native Tongue” in particular) and some that rock (“Earth Shakes,” with its persistent pulse), but at other times, the quirkiness and cacophony can be disconcerting.

Ultimately, while Infowars may sound like an impromptu effort, it’s an album that affirms Sollee’s artistic prowess. It’s not going to break him through to the mainstream, but it is a fascinating diversion for those in search of creativity.