Classic Sounds Abound on New Jeff Givens Album “Midnight in Muscle Shoals”
Ted Slowik
Posted On July 4, 2015
The drummer-turned-singer/songwriter has self-released his second full-length, Midnight in Muscle Shoals. The basic tracks were recorded by John Gifford III at legendary Fame Recording Studios in northwest Alabama’s famous home of “The Swampers” rhythm section, where the likes of Aretha Franklin, Wilson Pickett, and Duane Allman laid tracks.
Midnight in Muscle Shoals is full of wailing guitar licks, lushly layered vocal harmonies and sweetly selected instrumental accompaniments atop tight drum tracks. Fans of southern rock will find a lot to like about this record, Givens’ follow-up to 2012’s Bourbon Cowboy. If Midnight in Muscle Shoals sounds a lot like a record by The Righteous Hillbillies, that’s because all the tracks feature guitarist Kev Wright, who recently left the band, and drummer Barret Harvey. The connections don’t end there. The Hillbillies also recorded their new album at Fame Studios in Muscle Shoals, and Givens’ touring band, The Mugshot Saints, includes former Hillbillies bassist Johnny Gadeikis. T.C. Dolgin plays bass on the record, Jennifer Botka sings backing vocals and Pat Otto lends mandolin to a couple tracks. Like recent recordings by the Hillbillies, the songs on Midnight in Muscle Shoals sound like they belong on any of the 1970s-era albums by The Rolling Stones. Wright’s slick slide guitar work and Harvey’s crisp beats propel the tracks, which are produced by Givens’ longtime collaborator Jason Botka. Many tracks were added at Botka’s Skye Bleu Studios in suburban Chicago. At its best, Midnight in Muscle Shoals is an ideal soundtrack for a long ride on a highway. Tracks like “Long Weekend” and “Hard Livin’” are not only expertly performed by gifted musicians, they’re delivered with Givens’ honestly passionate vocals. The melodies are catchy and the music’s fantastic. The songs are about recurring working-man themes, including drinking in bars and paychecks not going far enough.
Givens is a Tennessee native who was raised in the Chicago area, where he continues to make his home. He calls himself a “rock and roll gypsy,” and an “authentic prince of skid row.” While performing, he’s been known to command an audience to “holler and swaller” by first whooping, then drinking.
“Everybody’s got a story, everybody’s got a dream, I’m filling up this notebook with what happens in between,” he sings on “Livin’ the Dream.” Givens writes all but one of the 12 songs on “Midnight in Muscle Shoals.” While the songs are sonically superb, one will be disappointed if he seeks Dylan-like depth in the lyrics. This record is reminiscent of a Ringo Starr album in that one can take ordinary, everyday songs, get some fabulous musician friends to record them and end up with great-sounding music that eventually lands you in the Rock and Roll Hall of Fame. Givens’ songs are honest, authentic reflections of his life.
“The most difficult ones are the most intimate ones,” he told WXAV-FM 88.3 in a radio interview. He went on to describe how “Last of a Dying Breed,” a song on the new record, was written about his 80-year-old father, who still rides his Harley thousands of miles a year. “It was a real emotional process,” Givens told the interviewer. Writing good songs isn’t easy, regardless of what anybody says, and only a gifted few can do it consistently. Equally challenging is recording a full-length album of timeless sounds that are worth listening to over and over again, and Givens might have accomplished that with Midnight in Muscle Shoals.
