Infectious Collection of 1970s Kid Soul
Hyperbolium
Posted On October 12, 2016
In the same way that “A Hard Day’s Night” launched a thousand rock bands, the Jackson Five launched a wave of family and kid bands that rolled on for decades. A few – including the Osmonds, DeFrancos and New Edition – found fame, but many more issued obscure records that have become crate diggers’ rarest finds. The archival Numero Group label has pulled together a collection of this delicious bubblegum soul, packed tightly around the seminal kid soul year of 1973. The track list reaches back to 1970 for the Folkways-released “James Brown” (CD/LP only) and the topical “I’m Free, No Dope For Me,” hits its choreographed stride with Magical Connection’s 1972 “Girl Why Do You Want to Take My Heart,” and is fully consumed by 1973.
Ironically, just as the Jackson Five’s chart results were fading, their influence was blooming in charming, adolescent lead vocals and propulsive soul backings on obscure indie labels. Among the jewels are the Scott Three’s “Runnin’ Wild (Ain’t Gonna Help You)” and Next Movement’s “Every Where You Go,” but you can also hear the Jacksons’ impact in Jimi Hill’s Memphis-tinged “Guessing Games” and Leonard (Lil’ Man) Kaigler’s frantic “You Got Me Believing.” The sounds of the Dells and Dramatics and some harder funk backings are also here, but the kid vocals always bring your ears back to Michael Jackson in his early prime. By the mid-70s you can hear the beat of disco in “I Love You Still” and jazz-funk in “Love Got a Piece of Your Mind,” but it’s still sweet as candy.
There are a few actual hitmakers here. Chicago’s Brighter Side of Darkness reached the Top 20 with “Love Jones,” appeared on Soul Train and released a full album on the 20th Century Fox label (coincidentally, also the home of the DeFranco Family). But their follow-up indie single “Because I Love You” failed to click and the group quickly faded. The Next Movement never hit the top of the charts, but after a scattering of singles in the ‘70s and ‘80s they landed in Las Vegas where they continue to perform to this day. Numero Group has put together a brilliant collection (including a terrifically potent cover of Gil Scott-Heron’s “The Revolution Will Not Be Televised” and the original protest song “We Don’t Dig No Busing”) and magnified it with detailed liner notes, rare photos and label reproductions. [©2016 Hyperbolium]
