It Takes a Quirky Band to Cover a Quirky Man
As his career matured, Nick Lowe developed a measure of respectability that might have surprised his younger self; particularly the irreverent Nick Lowe who recorded as The Tartan Horde and titled his solo debut The Jesus of Cool. Lowe’s lyrics have always drawn listener attention, but his melodies, as emphasized in these instrumental treatments, deserve their share of the limelight. By reimagining each song, sometimes quite radically, Los Straitjackets have freed the melodies to strike entirely new moods. Pathos is turned on its head with a snappy arrangement of “Lately I’ve Let Things Slide,” and the dark emotional territory of “I Live on a Battlefield” is brightened with a vintage dance beat. “Heart of the City” is still upbeat, but now with Duane Eddy-styled twang, and the relentlessly ebullient “Rollers Show” is crossed between a Shadows-styled bandstand piece and something Chet Atkins might have recorded for teenagers. Lowe’s lone worldwide hit, “Cruel to Be Kind,” is taken downtempo to a very contemplative place, and the folk-rock treatment of the title track is more reminiscent of Lowe’s later solo work than the song’s origin. This is a delightfully original twist on Nick Lowe tributes that have included Lowe Profile, Labor of Love and Lowe Country; all that’s missing is Lowe’s own instrumental, “Shake That Rat,” which the band covered on 2001’s Sing Along With Los Straitjackets. [©2017 Hyperbolium]
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