There’s a lot of soul in this week’s new releases, both literally and figuratively, so prepare to move and be moved. I think I’m most excited about the newly unearthed early recordings from Hazel Dickens and Alice Gerrard. On Sing […]
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Recently I wrote a review of Holly Gleason’s marvelous new book, Woman Walk the Line, a collection of essays written by 27 highly accomplished women writing about 27 female country artists. These fairly compact essays vividly present the the impact the performers’ music and […]
When I was a child growing up in an apartment building on Manhattan’s Upper West Side during the 1940s, I remember going down to the forbidden boiler room, where a huge furnace sat burning coal. Rosie, the building’s superintendent, opened […]
Laurie Lewis has been at the forefront of women in bluegrass music for many years and her new album with her band the Right Hands was just nominated for a Grammy Award. The Hazel and Alice Sessions celebrates the music of two of […]
It began a couple weeks back, when Eliza Gilkyson asked me, “Where does folk music fit within the Americana genre?” She asked it somewhat rhetorically, somewhat quizzically, since she has always regarded herself as a folksinger. I have ruminated on […]
Out of the tradition of singer-songwriters Cris Williamson, Hazel Dickens, Emmylou Harris, Nanci Griffith, Joni Mitchell (“Fiddle and the Drum”) and even the now legendary late singer Eva Cassidy — is the angelic vocalist Annie Lou. With her lullaby-like melody […]
I noticed as I was writing a preview for the Strawberry Park Bluegrass Festival, which we’re going to attend in Connecticut in two weeks, that their Friday lineup features four bands who are fronted by and/or dominated by women. Furthermore, […]
To date, It’s Hard To Tell The Singer From The Song is Hazel Dickens’ last solo album, and though its two predecessors are good and important records, it’s also probably the finest of the three. Recorded in late 1986 in […]
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