I can make no legitimate claim to an ability to define Americana. Like the former chief justice said about another art form, I know it when I, um, hear it. And, for my money, Jimbo Mathus‘ Dark Night of the […]
Depending on one's interest, one is either amazed and entertained or bored to tears with Bill Kopp's encyclopedic knowledge of the popular music of the last fifty years. A rock/pop music historian, he has amassed a collection of way more than 6,000+ albums, nearly half of those on vinyl.
Bill has written for the now-defunct Skope (where he ran things as Editor-in-Chief for two years), Billboard, No Depression, Trouser Press, Ugly Things, WNC Magazine, Mountain Xpress, Bass Guitar, Goldmine, Record Collector, Stomp and Stammer and Jambase.org, among others. His work appears almost every week in more than a half-dozen altweeklies across the US.
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. He rose through the ranks at Skope Magazine, eventually becoming Editor-in-chief. When that magazine ceased publication, readers and associates encouraged Bill to start a blog. Musoscribe launched in 2009, and has published new content every business day since then. The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues (nearly 20 so far), and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album.
Bill has interviewed and written features on more than 300 music artists. You've heard of most of them.
He's currently working on a couple of book proposals (music-related, of course). He lives in a nearly century-old house in Asheville, NC with his wife, two cats, a vintage motorcycle and way, way, way too many synthesizers.
And, like everyone else, he's everywhere:
I can make no legitimate claim to an ability to define Americana. Like the former chief justice said about another art form, I know it when I, um, hear it. And, for my money, Jimbo Mathus‘ Dark Night of the […]
I’m not a folkie. When it comes to acoustic based music of the folk sort, my tastes are fairly limited: I own a decent-sized stack of Bob Dylan albums, that cat-chewed first Peter, Paul and Mary LP I got from […]
Like many esteemed musicians before him – Declan MacManus springs immediately to mind – Morgan Geer (formerly of Asheville’s fondly-remembered The Unholy Trio) plys his musical trade using a nom de musc; in his case, it’s Drunken Prayer. The Portland/Asheville […]
Mention the name Van Duren to a powerpop fanatic and you’ll likely get a reply that’s equal parts gushing enthusiasm and reverent tones. While he’s not well-known among the pop landscape in general, those in the know consider his debut […]
Bootlegs or ROIOs* or fan recordings: however one wishes to label them, they play an often important and unappreciated part in documenting musical history. As Clinton Heylin explains in his excellent 1994 book Bootleg: The Secret History of the Other […]
As I’ve chronicled elsewhere, my awakening to the charms of jazz is a relatively recent phenomenon. And as I wade into the deep waters of that genre, I find that certain sub-styles move me more than others. Hard bop, swing, […]
Rock’n’roll doesn’t have a long list of successful male-female duets; at least not ones that, y’know, rock. Other traditions have done well with the duet format: Porter Wagoner and Dolly Parton, Johnny Cash and June Carter Cash, the one-off Frank […]
Deftly walking the tightrope between crafting classic soul and serving up something contemporary, Nakia‘s EP Drown in the Crimson Tide has it both ways. Remaining true to the style and spirit of southern-fried soul of the Memphis variety, Nakia still […]
I have a friend who possesses a much wider range of musical interest than my own. Unlike me, she rarely concerns herself with such trifling issues as what genre best describes a particular act. And because – at least I […]
I nearly passed this one by. The cover turned me off, and as I’ve mentioned before, with so many CDs for potential review, an off-putting cover image can sometimes be enough to cause me to just move on. Guy with […]