If you want a potted history – albeit one from a provocative perspective, and with its own axe to grind – of Wanda Jackson‘s career, I recommend you put your hands on Nick Tosches‘ Unsung Heroes of Rock’n’Roll: The Birth […]
Depending on one's interest, one is either amazed and entertained or bored to tears with Bill Kopp's encyclopedic knowledge of the popular music of the last fifty years. A rock/pop music historian, he has amassed a collection of way more than 6,000+ albums, nearly half of those on vinyl.
Bill has written for the now-defunct Skope (where he ran things as Editor-in-Chief for two years), Billboard, No Depression, Trouser Press, Ugly Things, WNC Magazine, Mountain Xpress, Bass Guitar, Goldmine, Record Collector, Stomp and Stammer and Jambase.org, among others. His work appears almost every week in more than a half-dozen altweeklies across the US.
With a background in marketing and advertising, Bill Kopp got his professional start writing for Trouser Press. He rose through the ranks at Skope Magazine, eventually becoming Editor-in-chief. When that magazine ceased publication, readers and associates encouraged Bill to start a blog. Musoscribe launched in 2009, and has published new content every business day since then. The interviews, essays, and reviews on Musoscribe reflect Bill's keen interest in American musical forms, most notably rock, jazz, and soul. His work features a special emphasis on reissues and vinyl. Bill's work also appears in many other outlets both online and in print. He also researches and authors liner notes for album reissues (nearly 20 so far), and co-produced a reissue of jazz legend Julian "Cannonball" Adderley's final album.
Bill has interviewed and written features on more than 300 music artists. You've heard of most of them.
He's currently working on a couple of book proposals (music-related, of course). He lives in a nearly century-old house in Asheville, NC with his wife, two cats, a vintage motorcycle and way, way, way too many synthesizers.
And, like everyone else, he's everywhere:
If you want a potted history – albeit one from a provocative perspective, and with its own axe to grind – of Wanda Jackson‘s career, I recommend you put your hands on Nick Tosches‘ Unsung Heroes of Rock’n’Roll: The Birth […]
Though her recording career began in the mid 1950s, I only discovered Wanda Jackson sometime around 1993. Sometime that year I was in a Wal-Mart (I rarely if ever set foot in one of those these days, but back then […]
Some stories write themselves. Oftentimes a writer does some research, interviews the subject, and then weaves the resulting information into a narrative. But when the subject is Asheville, North Carolina fiddler Paul Crouch, it’s best to get out of the […]
For twenty-plus years, Al Anderson was the guitarist in critics-darlings NRBQ. Though no longer a member of that band, Anderson has returned for occasional reunion projects and shows. But his focus these days is on his own band – his […]
Musically, the 1990s were an eclectic time. You had all sorts of strains of music showing up on the pop cultural landscape. One of the more outré ones (commercially speaking, at least) was the modern take on Martin Denny and […]
The Americana Music Association Conference and Festival took place September 18-22 in Nashville TN. As a first-time attendee – and as one whose tastes don’t fall neatly into the Americana category – I did my best to go with an […]
No Depression depends on reader support to bring you top-quality roots music journalism on our website and in our quarterly journals. Donations large and small are greatly appreciated, and will help us hit our goal of raising $15,000 by Dec. 31.
Can you help us get there? Donate or subscribe using the buttons below. Thank you for your support!
Please consider becoming a subscriber or providing a donation. With your help, No Depression can continue to grow and cover roots music the way it deserves.