In the interests of transparency, I have to admit that I’ve known Sally Mann Romano, off and on, for a very long time. We first brushed wings (or shoulders or possibly leather trousers) in the insane world of rock and […]
Deborah Grabien can claim a long personal acquaintance with the fleshpots — and quiet little towns — of Europe. She has lived and worked and hung out, from London to Geneva to Paris to Florence, and a few stops in between.
But home is where the heart is. Since her first look at the Bay Area, she’s always come home to San Francisco. In 1981, after spending some years in Europe, she came back to Northern California to stay.
After seeing the publication of four novels between 1989 and 1993, she took a decade away from writing, to really learn how to cook. That done, she picked up where she’d left off, with the five novels of her Haunted Ballads series being brought out by St. Martins Minotaur between 2003 and 2007. Still Life With Devils, a standalone thriller about a serial killer who may not be human, was released by Drollerie Press in December 2007; Drollerie also released And Then Put Out The Light, the story of a sculptress who deals with the breakup of her marriage in an unusual way. Dark’s Tale, her first YA title, draws on her and her husband’s experiences working with the San Francisco SPCA’s feral cat program in Golden Gate Park. Deborah’s non-fiction essays and reviews have appeared in multiple publications and anthologies. She’s a music editor for Green Man Review specialising in all things Bay Area, Rolling Stones or Richard Thompson, and a regular reviewer for No Depression. She revels in her songwriting partnership with Bay Area guitarist and former RatDog guitarist Mark Karan, and with Lauren Murphy.
Deborah was deeply involved in the Bay Area music scene, from the end of the Haight-Ashbury heyday until the mid-1970s. The eight novels of her current series, the Kinkaid Chronicles, are the books of her heart. Narrated by ageing rock superstar guitarist John “JP†Kinkaid, this character-driven mystery series not only takes the reader into the way rock and roll really works at the highest end, but illuminates what living with a chronic progressive illness is like. Like JP, Deborah herself has lived with multiple sclerosis for well over a decade.
Deborah’s been happily married to Nicholas Grabien since 1983. A San Francisco native and another member of the local music scene in its heyday, Nic is a bassist, while Deborah plays guitar. Together with drummer Larry Luthi, their band, The Sound Field, performs originals around the Bay Area. The Sound Field's first CD, The Bucket List, features guest players that include David Lindley, Pete Sears and Jason Crosby, and is due out in early August 2017..
These days, in between cat rescues and cookery, Deborah can generally be found listening to music, playing music on one of many guitars, hanging out with her musician friends, or writing about music, insofar as her multiple sclerosis will allow.
In the interests of transparency, I have to admit that I’ve known Sally Mann Romano, off and on, for a very long time. We first brushed wings (or shoulders or possibly leather trousers) in the insane world of rock and […]
It’s always nice, after listening to an artist over the course of a few years, to see how they grow, the directions they choose, the difference in the way they approach what they want to say. It’s fascinating to see […]
This new release from MiZ is a beautifully structured collection of individual stories, each of which manages to tie into the songs surrounding it. That’s not as easy as it sounds. If an entire album is a continuous story, the […]
One of the great things about living in the Bay Area is the diversity and richness of the local music scene. We’ve got stalwarts and longtime players of a caliber and quality that makes finding a gig on any given […]
Listening to the spare, pared-down elegance of Leslie Mendelson’s Love And Murder, I found myself with a conundrum: how can anything this stripped down have so many layers, such deep echoes, so many overtones? How can this clean and simple […]
How much do I love this? Oh boy. Oh boy. Let me get that out of the way first. When I found out the title of this one, I actually whooped, because I’ve heard the song in my head […]
When I was queried about whether I’d be interested in reviewing this CD, I did what I always do: bring it up on the speakers and listen to it edge to edge, at least twice and usually three times, before […]
A few years back, I heard Boris Garcia’s Today We Sail. It was a nice introduction to the band, but not nearly as catchy as their newest release, Around Some Corner. This band has always had their roots deep […]
Way back in the early 1970s, I bought an album called Fable Of The Wings. It was one of those moments. The title track was also one of those moments: it was, and has remained, one of the greatest […]
This one I’ve been waiting for since 2014: Devil In The Yard, the follow-up to Achilles Wheel’s fantastic CD Stones To Sand. Achilles Wheel can legitimately boast a handful of Northern California’s best players, and between the songwriting chops of […]
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