Having won prestigious literary competitions in both grade school and junior high, Kelly McCartney attended college with a Scripps Howard Foundation scholarship, earned a BA in Journalism, and interned at Entertainment Tonight. She then started her career in 1989 as a personal assistant to celebrity types like Susanna Hoffs (Bangles) and Adam Horowitz (Beastie Boys). Over the past 25 years (and counting), Kelly has tackled almost every role in the music business -- except artist -- working with folks like Vonda Shepard, Shawn Mullins, Jill Sobule, Melissa Ferrick, Boingo, JD Souther, Steven Delopoulos, Tracy Bonham, Natalia Zukerman, and more.
At some point in there, Kelly got back to her roots, combined her loves of music and writing, and became a freelance "expert" for AllMusic.com penning album reviews and artist bios for Sheryl Crow, Dixie Chicks, Sarah McLachlan, Indigo Girls, Shawn Colvin, David Gray, and many more. Shortly after, she joined the Velvetpark magazine upstarts and authored interviews with the likes of Joan Osborne, Patty Griffin, and others.
Kelly currently contributes to No Depression, Cuepoint, Folk Alley, PopMatters, Curve, NoiseTrade, NPR Music, and the Bluegrass Situation, interviewing and reviewing artists including Annie Lennox, Lenny Kravitz, Ani DiFranco, Brandy Clark, OK Go, and many more. On the side, she is still consulting with artists, while also collaborating with some wonderful musicians on a multi-media theatre series and developing a couple of music-related video projects.
Twitter: @theKELword
Website: theKELword.com
In Nashville, there are great songwriters and big hitmakers. In the space where those two populations overlap, that’s where you’ll find Brandy Clark, Shane McAnally, and Josh Osborne. And what an absolute pleasure it was to spend a Tin Pan […]
City Winery (in Nashville and elsewhere) is set up and sold as a listening room. And, when the calendar is full of acoustic singer/songwriters and small jazz ensembles, that makes absolute sense. But, sometimes, a more emboldened band or artist […]
Drew Holcomb is an interesting case study. Though he crafts readily accessible melodies, he doesn’t pander lyrically to the lowest common denominator. He’s not up there singing, “Oh, baby baby.” He’s singing about gratitude for a lost love, acceptance of […]
Downtown Franklin, Tenn., provided the perfect setting last Friday night for Gretchen Peters’ album release party/performance. Like the record, the town’s Main Street is charming, pristine, and just a little bit out of the way. And, also like the record, […]
Most singers blessed with robust voices these days are content to fly their melodies as high and wide as possible, forsaking the song for the histrionics and allowing auto-tune to do the rest, with no real craft to be found […]
As the B-52s head toward their 40th anniversary next year, Kate Pierson is keeping herself busy this year with her first-ever solo album, Guitars and Microphones. The timbre of Pierson’s voice is so charmingly iconic that, even when applied to […]
When you’re a singer/songwriter armed with little more than a guitar and your talent, you have to find ways to stand out from the crowd. That’s why the pairing of Robby Hecht and Natalia Zukerman last Friday at the Bluebird […]
This year, the Nashville Ballet’s Valentine’s program finds them teaming up with local singer/songwriter Matthew Perryman Jones for a reprisal of their 2013 collaboration, “… but the flowers have yet to come” as part of Attitude. The three-part performance also […]
Like Mickey Newbury before her, singer/songwriter Lori McKenna writes sad songs. And, like Patty Griffin, she has the sad voice to back it up. In between, though, McKenna is one of the funniest performers this side of Kenny Rogers. After […]
No Depression depends on reader support to bring you top-quality roots music journalism on our website and in our quarterly journals. Donations large and small are greatly appreciated, and will help us hit our goal of raising $15,000 by Dec. 31.
Can you help us get there? Donate or subscribe using the buttons below. Thank you for your support!
Please consider becoming a subscriber or providing a donation. With your help, No Depression can continue to grow and cover roots music the way it deserves.