EDITOR’S NOTE: Below is an excerpt from a story in our Summer 2021 journal, “Voices” that No Depression is republishing in honor of today’s 180-gram vinyl reissue of this underground classic record from Light in the Attic. You can read the […]
EDITOR’S NOTE: As album releases slow down in December, we like to catch our breath and write about albums that came out earlier in the year that we didn’t get a chance to review but we think are worthy of […]
I’ve spent a lot of time listening to Le Ren (Lauren Spear)’s Leftovers while knitting a blanket for my childhood friend’s baby. The more I listened to the Montreal-based singer-songwriter’s debut LP, the more my knitting-filled listening sessions felt like […]
Alexa Rose wrote most of Headwaters in the early stages of the pandemic, which she astutely characterizes as having “that weird lucid feeling of not-time.” Accordingly, there’s an eeriness about Rose’s second album; listening to its nine tracks feels like […]
Being a teenager can be brutal, to borrow a descriptor used by bourgeoning teenage pop superstar Olivia Rodrigo. You spend your teens trying to fit in with your peers, meet your parents’ expectations, and figure out who the hell you […]
On the title track of Shay Martin Lovette’s second LP, Scatter & Gather, he muses on the magnetism of certain people in our lives. Whether it’s a partner, family member, or friend, there is a person, or people, who, no […]
In Rebecca Solnit’s book Wanderlust: A History of Walking, she contends that “modern life is moving faster than the speed of thought, or thoughtfulness.” Even during the last year of COVID-19 lockdowns, the quickness of modern life has persevered, and […]
Yasmin Williams’ second LP, Urban Driftwood (out Jan. 29), is a meditation on 2020 and the events of the last four years. Multi-instrumentalist Williams finished most of the songs during the COVID-19 lockdowns last year and as Black Lives Matter protesters […]
EDITOR’S NOTE: As album releases slow down in December, we like to catch our breath and write about albums that came out earlier in the year that we didn’t get a chance to review but we think are worthy of […]
As its title states, Liz Longley says goodbye to her past and to a bad relationship on her seventh studio album, Funeral for My Past. On “Fine,” she makes peace with what’s behind her — “you and me, can we […]
