If, as M. Ward says of his 10th album, Migration Stories, “music is a filter” through which to process the onslaught of heart-wrenching news we’re fed each day, then we are even more fortunate to have it than he probably […]
Maeri Ferguson has music in her blood. She grew up twenty minutes from Fort Adams, attending her first Newport Folk Fest before she could even walk, and running through the tents of the Rhythm and Roots Fest at Ninigret in her cowboy boots once she could. Most people call her Mae, thanks to her dad's love of the Kershaw Brothers song "Hey Mae." From the time she was 12, her parents have been hosting monthly house concerts that turn her living room into Rhode Island's premiere destination for Americana, roots music and rock n' roll, and exposing her to some of the greatest singer-songwriters in the music industry. She's been listening to her dad's radio show, the Boudin Barndance, since before she can remember, and still tunes in on Thursday nights from the apartment in Los Angeles where she now lives. She works in public relations, and has been writing about music and reviewing live shows for more than five years, currently serving as a staff writer for No Depression and Glide Magazine. You can find her on Instagram and Twitter @maeriferguson.
If, as M. Ward says of his 10th album, Migration Stories, “music is a filter” through which to process the onslaught of heart-wrenching news we’re fed each day, then we are even more fortunate to have it than he probably […]
From their artful watercolor album cover to their tonal array of jumpsuits, Rookie is quite clearly an aesthetic-minded band. The six-piece Chicago outfit is giving a strong presentation for their self-titled Bloodshot Records debut, telling us with surefire conviction, “This […]
When we think of Jonathan Wilson, we think of the frantic strings and echo-techno harmonies of 2018’s Rare Bird, or the otherworldly “bleeps” and “bloops” that contrast with pastoral guitars on 2011’s Gentle Spirit. We might even recall the hazy […]
There was a faint hint at where Caroline Rose was headed creatively after the release of her 2018 record LONER, but nothing could have prepared us for her latest, Superstar. A concept album through and through, it chronicles the dark […]
It takes a hell of a songwriter to so tightly wrap gruesome bodily things — blood, aches and pains, discoloration, wounds, tears — in sheer, shimmery pop hooks. And when the songwriter is just 22 years old, this feels like […]
Christopher Paul Stelling is one of those artists who seems to live life on an endless tour, constantly moving from place to place, never staying too long. This very situation is what led Stelling to building a relationship with Ben […]
When Nada Surf celebrated the 15th anniversary of their 2002 record Let Go back a few years back, it felt impossible to imagine that these songs we’d held so close had been with us so long. In many ways, the […]
When you hear the warm, lived-in voice of Son Little on his new record aloha, you’d never imagine the emotional turmoil he went through leading up to making it. A short time before he planned to begin the process of […]
Breakup albums are a dime a dozen, but Andy Shauf’s is different. The Neon Skyline takes us along for the bumpy ride of heartbreak in all its minute and excruciating detail. Like he did with his 2016 breakout The Party, […]
“Can this be an article where we don’t say ‘supergroup’?” asks Josh Kaufman, teasingly. “Say it in air quotes,” adds Eric D. Johnson, Kaufman’s bandmate, along with Anaïs Mitchell, in their new project, Bonny Light Horseman. Though they cringe at […]