The first time I listened to “Oh My God,” the opening number and title track off Kevin Morby’s new album, I was thousands of feet up in the sky. It gave me an overwhelming sense of weightlessness, but not like […]
Maeri Ferguson has music in her blood. She grew up twenty minutes from Fort Adams, attending her first Newport Folk Fest before she could even walk, and running through the tents of the Rhythm and Roots Fest at Ninigret in her cowboy boots once she could. Most people call her Mae, thanks to her dad's love of the Kershaw Brothers song "Hey Mae." From the time she was 12, her parents have been hosting monthly house concerts that turn her living room into Rhode Island's premiere destination for Americana, roots music and rock n' roll, and exposing her to some of the greatest singer-songwriters in the music industry. She's been listening to her dad's radio show, the Boudin Barndance, since before she can remember, and still tunes in on Thursday nights from the apartment in Los Angeles where she now lives. She works in public relations, and has been writing about music and reviewing live shows for more than five years, currently serving as a staff writer for No Depression and Glide Magazine. You can find her on Instagram and Twitter @maeriferguson.
The first time I listened to “Oh My God,” the opening number and title track off Kevin Morby’s new album, I was thousands of feet up in the sky. It gave me an overwhelming sense of weightlessness, but not like […]
Listening to Denver rockers The Yawpers is like getting a shot of adrenaline straight to your veins and feeling it pulsating through your body, sending sparks out the ends of your fingers and toes, especially their newest release, Human Question. […]
In all of Damien Jurado’s prolific two-decade career, In the Shape of a Storm is arguably his starkest work. And it may be no coincidence that it follows the passing of his close collaborator Richard Swift last summer, just after […]
The vibrant opening notes of Slow Fascination, the new record from Big Search, feel like a big, warm explosion of color. Like Big Star on steroids, “Slow Motion Train” introduces us to a world filled with the kind of majestic […]
For as long as there is political unrest, there will be artistic responses to it. And the countless responses from songwriters since the start of the Trump administration has created a particularly rich and deep well of art that empowers […]
It feels like forever since we saw Jenny Lewis strutting onstage in that iconic rainbow pantsuit of The Voyager era. The 2014 album was a mostly euphoric, nostalgic splash of pop rock that was as easy to dance to as […]
“The world is grabbing back at you,” sings Stella Donnelly on “Old Man,” the opening track off her album Beware of the Dogs. It’s a statement-making introduction to a strong set of songs from the Australian-born Donnelly, who barely winces […]
We know Meg Duffy as Kevin Morby’s highly proficient guitarist. Their quiet confidence and close attention to detail is mesmerizing to behold and has quickly become synonymous with a Morby performance. But as Duffy (who uses they/them pronouns) embarked on […]
We don’t hear stories like Yola Carter’s too often. She grew up poor in the UK; wasn’t allowed to make music despite her natural inclination toward it; overcame homelessness, a house fire, and an abusive relationship; and even suffered the […]
There is less than three years between Julia Jacklin’s two full-length albums, 2016’s Don’t Let the Kids Win and her follow-up out this week, Crushing, but it feels like a lifetime. This is partially because that first record was an […]