EDITOR’S NOTE: As the end of the year approaches, we’re taking a look back at albums we weren’t able to review when they first came out. Cerulean was released in June via Soundly Music. Though what Ken Yates was […]
Maeri Ferguson has music in her blood. She grew up twenty minutes from Fort Adams, attending her first Newport Folk Fest before she could even walk, and running through the tents of the Rhythm and Roots Fest at Ninigret in her cowboy boots once she could. Most people call her Mae, thanks to her dad's love of the Kershaw Brothers song "Hey Mae." From the time she was 12, her parents have been hosting monthly house concerts that turn her living room into Rhode Island's premiere destination for Americana, roots music and rock n' roll, and exposing her to some of the greatest singer-songwriters in the music industry. She's been listening to her dad's radio show, the Boudin Barndance, since before she can remember, and still tunes in on Thursday nights from the apartment in Los Angeles where she now lives. She works in public relations, and has been writing about music and reviewing live shows for more than five years, currently serving as a staff writer for No Depression and Glide Magazine. You can find her on Instagram and Twitter @maeriferguson.
EDITOR’S NOTE: As the end of the year approaches, we’re taking a look back at albums we weren’t able to review when they first came out. Cerulean was released in June via Soundly Music. Though what Ken Yates was […]
It was in the intimate moments of recording herself in pandemic isolation that Cornelia Murr crafted Corridor, the follow-up EP to her 2018 debut, Lake Tear of the Clouds. Self-recording and producing might be a daunting task, but it seems […]
There are a million things that could get in the way of finishing an album, and the courage it takes to do so cannot be overstated. When Caitlin Rose’s first new album in nearly a decade was derailed in early […]
Rayland Baxter was the only person who could harness the multitude of sonic pleasures on his latest, self-produced release If I Were a Butterfly. The predictably unpredictable Baxter holed up alone in an old rubber band factory in Kentucky for […]
On the morning Emily Scott Robinson’s coven was to convene in Nashville to record her new EP, Built on Bones — a cycle of songs inspired by the witches of Shakespeare’s The Tragedy of Macbeth — she got a […]
Two records arrived in early pandemic days of spring 2020 that proved timeless but also timely — salves for a terrifying time: Jess Williamson’s hauntingly ethereal Sorceress and Waxahatchee’s grounded, gut-wrenching Saint Cloud. Both were the kind of songwriter albums […]
Accepting yourself as you are takes work, and for Courtney Marie Andrews, it meant opening herself up to possibility. It meant writing a song a day, giving in to romance, and all the things that made her uncomfortable. The payoff […]
If the self-titled 2020 debut of Bonny Light Horseman (ND interview) seemed like a one-time thing for its singular magic and specialness, the pandemic only reinforced that notion, like it was all just a heavenly mirage. The beloved songs of […]
EDITOR’S NOTE: Caleb Caudle is No Depression’s Spotlight artist for October 2022. Look for more about him and his new album, Forsythia, all month long. A sliver of the clearest, brightest blue sky peeks out from behind the […]
“Some people suffer from a social stage fright / Like the world is a sniper with a bright spotlight,” John Fullbright sings on “Social Skills,” a darkly humorous tune off The Liar, his first new album since 2014. Though he […]